I am a Manchester-based artist working across sculpture, print, collage, writing, drawing and moving image. My practice explores identity, transformation and embodied experience through material processes, asking how materials can hold traces of fragility, resilience, illness, memory and change. Recent works have used paper, print, found materials, bodily traces and fragile sculptural forms to explore how surfaces can carry pressure, rupture and repair.

I often work through a situational, site-responsive approach, using responsive, unstable and tactile materials to think through the relationship between bodies, surfaces, systems and lived experience. Whether my studio is my lap, my bed, a hospital or bedroom or more traditional studio, I am contemplating and negotiating with the spaces in which I make and exhibit. 

My practice offer ways for me imagine other possibilities and places to inhabit—embodied acts of transformation, mending, joining, and reconfiguring. Through them, I reimagine fragments of body, form, and landscape, grounding the work in lived experience. 

In 2025 I was part of the Syllabus VIII cohort, a co-designed learning programme delivered in collaboration with Wysing Arts Centre, Studio Voltaire, Spike Island, Eastside Projects, Site Gallery, PS², and New Art Exchange. In November I took part in a group residency at the wonderful Scottish Sculpture Worksop.

In January 2026 began a combined printmaking and ceramics fellowship with Artlab and Claylab at the University of Lancashire, supporting a period of experimentation leading to a Women in Print residency and the development of a new print edition for their collection. I also began a collaborative project with Rowland Hill, developing our work and building a dialogue around and between our practices through studio visits, writing, sharing, and dedicated making time during residencies at PINK. 

 

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