I work across a variety of sculptural formats for the public realm and the gallery, ranging from collage, drawing, writing, and print to site-responsive installation and live event. My work explores haptic qualities and the porosity of bodies, materials, and surfaces — moments where sensation creates connections and evokes instability, suspension, reverie, and resistance. I am interested in how materials can mediate between fragility and resilience, functioning as a surrogate for the body and an index of embodied experience.

Collage and writing have been central to my recent making, underpinning it materially and conceptually, as accessible avenue for creativity whether my studio is my lap, bed, bedroom, studio – wherever I am. I reached back/towards collage and writing when I wasn’t able to work, to physically and emotionally process complex medical treatment. Both continue to allowed me to explore avenues for imagining other possibilities and places to inhabit, as embodied processes of transformation, mending, joining, and reconfiguring – to reimagine fragments of body, form, and landscape, closely tied to lived experiences. 

 

In October 2025, I began a combined printmaking and ceramics fellowship with Artlab and Claylab at the University of Lancashire – the fellowship is supporting a period of experimentation leading to a ‘Women in Print’ residency at Artlab and the development of a new print addition for their collection.

At the start of 2026, following our successful joint application for a DYCP in 2025, Rowland Hill and I began to develop work together, building an dialogue around and between our practices, through studio visits, in writing, sharing and in shared making time through residencies at PINK. I am also currently Syllabus VIII cohort, a co-designed learning programme delivered in collaboration with Wysing Arts Centre, Studio Voltaire, Spike Island, Eastside Projects, Site Gallery, PS² and New Art Exchange. 

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