I work across a variety of sculptural formats for the public realm and gallery, ranging from collage, drawing, and print to site-responsive installation and live event. My practice is shaped by an interest in material and sensory relationships, contemplating the interrelations between people, objects, and environments and our understanding of the world. I’m particularly drawn to states of transition, uncertainty, and suspension. Through subtle processes like energy transfer, the passage of time, and the forces of accumulation or erosion, I aim to express embodied and sensory responses to materials, places, and events. Collage plays a central role in my practice, both materially and conceptually. It allows me to explore ways of mending, joining, and reimagining—a means of holding together fragments of body, form, and landscape, closely tied to lived experiences. This approach resonates with my interest in transitional states and the layering of time and memory, offering a tactile and intuitive method for navigating complex emotional and spatial fields.

Recent exhibitions and residencies include The Hugo Burge Foundation Skyboat Residency (2024), The National Festival of Making (2022), Hospitalfield Residency (2021); White Columns online (2021), Personal Structures, Venice Biennale (2019); Bury Sculpture Centre (2019); Platform A Gallery (2019); Turnpike Gallery (2019); Glasgow Women’s Library (2019); Castlefield Gallery (2018) 

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